DELIRIOUS Dances, The Newhouse Center for Contemporary Art at Snug Harbor, and Creative Producer Lai-Lin Robinson present the World Premiere of WASTELANDIA on Friday and Saturday, September 19, 20, 26 and 27 with Creative Reuse Workshop at 6pm, and performance at 7pm; and Sunday, September 21 and 28 at Creative Reuse Workshop at 2pm and performance at 3pm, in four gallery spaces at the Newhouse Center located in Snug Harbor Cultural Center and Botanical Garden on Staten Island, NY at 1000 Richmond Terrace, Staten Island, NY 10301. Tickets: $20 students/seniors, $30 general, $50 supporters, $75 rockstars. Each ticket supports the work and the community and can be purchased online at https://snug-harbor.org/event/wastelandia-by-edisa-weeks-delirious-dances/.

WASTELANDIA is a performance ritual constructed from recycled plastic that invites the audience to engage in a multi-layered visual and immersive experience. Through theater, dance, discussions, craft-making, and visual art, the audience is taken on an interactive journey that examines our dependency on fossil fuels and asks how we can be better stewards of the earth.

WASTELANDIA is a mash-up between a DIY Haunted house, Willy Wonka’s Chocolate Factory, and a dance performance. The experience begins in The Greenroom, which is an interactive educational space where the audience can:

• Participate in creative reuse workshops such as making beads out of plastic straws or musical instruments out of discarded objects in collaboration with Materials for the Arts.
• Color in a chalk mural depicting images and quotes by seven remarkable Black and Hispanic women who are social justice and environmental activists in the Staten Island Community: Debbie Anne Paige, Dorcas Meyers, Heather Butts, Jasi (Jasmine) Robinson, Kelly Vilar, Lori Love, Petula Gay
• Listen and/or participate in a discussion on how we can responsibly divest from fossil fuels, viable alternatives to fossil fuel based plastics, as well as the health implications of microplastics accumulating in our brains and internal organs.

From The Greenroom, the audience traverses through an interactive tunnel of plastic (The Birth Canal); meets the spirit guardians and the trash behemoth (Spirit Room); and helps construct an installation (The Wasteland) out of plastic trash. The inhabitants of The Wasteland come together through Afro-Brazilian and Contemporary dance to forge a sense of community and empowerment; and to build The Wastelandia Gameshow, where two audience contestants are invited to answer multiple-choice questions about plastic consumption, recycling and alternatives. The Gameshow includes the presentation of a Green Award to the mural honorees.

WASTELANDIA began in 2015 during creative residencies at the Newhouse Center for Contemporary Art and Materials for the Arts. The premier in September 2025, will be the completion of a ten year journey. The project was initially titled 3 RITES Life and in 2024 the title was changed to WASTELANDIA to better reflect the intention of the rite. WASTELANDIA was also developed through creative residences at Chashama Space to Create; ChoreoQuest at RestorationART/The Billie Holiday Theatre; a remote pandemic residency with the Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute; as well as New York State Dance Force residencies at Topaz Arts and Hobart and William Smith Colleges. Additional residency support for 3 RITES Liberty and 3 RITES Happiness was provided by BRICLab; Dance in Process at Gibney Dance with funds provided by the Andrew Mellon Foundation; Mabou Mines SUITE/Space program; Maggie Allessee National Center for Choreography; Norte Maar @ Socrates Sculpture Park; and Performance Spaces for the 21st Century.

The 3 RITES Trilogy (Life, Liberty, Happiness) humorously and poignantly interrogates why life, liberty and happiness were included as unalienable rights in the United States Declaration of Independence. The trilogy explores what the right to life, liberty, and happiness means today, who has access to these rights, and how they manifest in the body. 3 RITES is a National Performance Network/Visual Artists Network (NPN/VAN) Creation & Development Fund Project co-commissioned by 651 ARTS, Mount Tremper Arts, RestorationART, Kelly Strayhorn Theater, DancePlace and NPN/VAN. 3 RITES is made possible in part through funding from the Brooklyn Arts Council; Creative Capital; Durst Organization; The Harkness Foundation for Dance; MAP Fund; New Music USA; The New England Foundation for the Arts, National Dance Project which is generously supported with lead funding from the Doris Duke Foundation and the Mellon Foundation; New Music USA; New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; a PSC-CUNY Award, jointly funded by The Professional Staff Congress and The City University of New York; The Puffin Foundation; as well as through the sponsorship of The Field; and the generosity of individuals.

WASTELANDIA

Concept: Edisa Weeks

Choreography: Edisa Weeks in collaboration with the performers

Performers: EmmaGrace Skove-Epes, Javon “Ja’Moon” Jones, J’nae Simmons, Mars Garcia,

Uilalani Marx

Guest Performers: Emil Troy, Idea Reid, Keb Barshack

Text: Edisa Weeks

Costume Design: Sarita Fellows

Associate Costume Designer: Brittani Beresford

Interactive Technology: Enddle

Lighting Design: Tim Cryan

Set Design: You-Shin Chen & Edisa Weeks

Sound Environment: LaFrae Sci

Mural Honorees and Green Award Recipients: Debbie Anne Paige, Dorcas Meyers, Heather Butts, Jasi (Jasmine) Robinson, Kelly Vilar, Lori Love, Petula Gay

Creative Advisor: James Scruggs

Creative Producer: Lai-Lin Robinson (2024-current); Marýa Wethers (2017-2024)

Community Engagement Coordinator: Maya Smith-Gilbert (2025-current), Maya Simone Z. (2021-2023), Rebecca Fitton (2017-2021),

Production Director: Violet Asmara Tafari

Illustration: Leo Jimenez

Performer Bios

Emil Troy (they/them) is a hip-hop performer, dancer, and martial artist based on Staten Island.

EmmaGrace Skove-Epes (she/they) is a Brooklyn-born and based artist, performer, and educator. Her performance work has lived at venues including the Center for Performance Research, the 92nd street Y, TheaterLab, Theater for the New City, Roulette Intermedium, New York Live Arts, AUNTS, Brooklyn Bridge Park, Riverside Park, Triskelion Arts, and Chez Bushwick. She has been an ongoing performer in the work of Edisa Weeks since 2016 and has been a collaborating performer in the works of choreographers marion spencer, Julie Mayo, RoseAnne Spradlin, Jill Sigman, Kathy Westwater, Mariangela Lopez, Jon Kinzel, Dianne McIntyre, Jodi Melnick, Peniel Guerrier, Jesse Phillips-Fein, Jonathan González, Mor Mendel, Nadia Tykulsker, Sondra Loring, Noemie LaFrance, Leslie Boyce, Maria Simpson, and Aileen Passloff. EmmaGrace teaches dance studies at Sarah Lawrence and has taught at schools, studios, and colleges throughout NY state. In addition to dance, they teach somatics and self-facial release in groups and 1-1 sessions and organize with the Manna-hatta Fund’s admin team.

Idea Reid (she/her) is a dancer and activist from Staten Island. She co-founded an environmental justice club at her high school, leading rallies, workshops, and climate justice teach-ins with the former NYC Director of Sustainability. Idea fought for climate policy as an intern at the Climate Museum, served as a member of the Environmental Justice Coalition, and conveys her passion for people and the earth through art as a member of the Young Lordes Collective. Idea graduated from Barnard College in 2025 with a BA in Psychology and Dance.

Javon “Ja’Moon” Jones (he/him) is a New York City-based choreographer, performer, and creator whose work centers on themes of identity, storytelling, and collective healing. As the Resident Choreographer at Ballare Carmel (2024-present), Ja’Moon infuses his innovative vision into a variety of projects while continuing to develop solo works like The Ghetto Shaman: That Which Lurks in the Shadows. His performances have been featured at Institut Français Senegal, Navel.LA, and Arts on Site NYC. Ja’Moon’s unique style blends physical theater and movement, drawing inspiration from recent performances in acclaimed productions like Sleep No More NYC and collaborations with artists such as Robert Moses and Kyle Abraham. His accolades include the Max Mara Young Visionary Award, a YoungArts Modern Dance Gold Medal, and a prestigious residency at École Des Sables, Sénégal. With an education from The Juilliard School and years of international performance experience, Ja’Moon continues to push the boundaries of contemporary movement and storytelling.

J’nae Simmons (she/her) is a Queens native, dancer and choreographer. Obtaining her BFA with honors in Dance from Long Island University, Brooklyn, she trained under Dana Hash-Campbell, Donna Uchizono and Alenka Cizmesija. Simmons has worked with and performed works by Ron K. Brown, Wally Cardona, Davalois Fearon, Emily Berry, Aviva Geismar, Ori Flomin, Andre Tyson, Suku Dance Lab, Nathaniel Hunt and Netta Yerushalmy. Simmons believes giving back to specifically the youth in her community through dance and creative movement is a part of her purpose in life.

Keb Barshack (he/him) is a queer trans Vietnamese-Jewish multidisciplinary artist from the Bay Area, California. These identities are vital to his art and being. He explores through movement, sound, and crochet/knitwear, all infused with transgender based theology – digesting their intersections through dance. Keb recently graduated from The New School with a BA in Contemporary Dance with a secondary focus in religious studies. All of Keb’s mediums come together in his performance art. He is committed to a lifelong exploration of the intersections of queerness, transness, prayer, and performance and how the queer can be the most sacred thing in the world.

Mars Garcia (they/them) is a Mexican-American dancer, movement director and teacher based in Lenapehoking. Through improvisation, worldbuilding, drawing and rasquachismo, Mars explores queerness, embodiment, failure, and social/spatial patternings. With a Bachelor in Fine Arts from NYU’s Tisch School of the Arts, Mars has performed in NYC, Los Angeles, Barcelona, France and Berlin, and has collaborated with many talented playwrights, filmmakers, musicians, choreographers, dancers and actors. Mars co-founded/produced Harvesting (2020–2022), an outdoor performance festival featuring artists in the pandemic. A certified GYROTONIC^® trainer, Mars cherishes helping others and working as a Project Manager for 7NMS|Marjani Forté-Saunders + Everett Saunders, and coordinator for PracticeProgress | Kai Hazelwood + Sarah Ashkin. Mars is creating a performance installation (and Gender Archive zine!) surrounding gender, perspective and the body.

Uila Marx (they/she/her) is a nonbinary movement artist from O’ahu, Hawai’i. Their movement work is informed by a lifelong education in hula and traditional practices of land and body care. Uila is a graduate of Barnard College of Columbia University in Harlem, NY. They have performed works by Okwui Okpokwasili, David Thomson, Mark Morris, David Dorfman, Colleen Thomas, and Davalois Fearon, among others. Uila creates, performs, and engages in research with interdisciplinary movement artists including Edisa Weeks (DELIRIOUS Dances) and Will A. Ervin Jr, and formerly The Why Collective and Lucia Gagliardone. As a dance maker, Uila’s work centers tenderness, community care, play, and silliness via improvisation and collaborative physical theater. Uila is also a Community Actionist in Gibney’s Hands Are for Holding program, which uses dance to have conversations with youth in New York City public schools about health.

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